人工智能电影简介

电影《人工智能》影片的结局是什么？

影片最后两千年后的部分，一直是为人诟病的。尖刻的影评人们甚至说，这是斯皮尔伯格画蛇添足的，把一个深邃的故事变成了温情泛滥的电影。但根据我看到的资料来看，这是不对的。斯皮尔伯格所修改部分，仅仅是大卫最终从醒着看见母亲消失到自己也睡着了。故事大抵的脉络，依旧是依照库布里克的设定在运行的。那么为什么要设置出这样一个结尾呢？是为了滥情么？当然不是，那温情的背后，库布里克的冷酷依旧浸透了这一切。我们来简单看一下整个结尾的故事：2000年后，地球被冰封，人类灭绝了，神秘的来客从曼哈顿的冰层中救出了大卫，并出于对人类感情的好奇，满足了大卫的愿望，让莫妮卡复活了一天，母子二人在一起度过了美好的一天，然后莫妮卡永远睡去。大卫或者醒着睡着，故事结束了。

怎么评价电影《人工智能》？

这是一部伤感大于温情、绝望多于希望的科幻佳作。从头至尾，都在为那个机器小男孩一心一意想要变成真正的孩子而难过。也为他孤身一人流浪地球而伤心，更为他执着地寻找母爱而落泪。对于充满了童真的斯皮尔伯格而言，他的大部分作品应该都是老少皆宜的，除了那个压抑、悲惨、在非人集中营里涌现出一丝人性闪光的《辛德勒名单》。对于《人工智能》而言，斯皮尔伯格虽然完成了老友库布里克的遗愿，完成了这部别具一格的科幻作品，很难说里面有多少库布里克自己真正想要表达的东西。但是这部电影，越看到最后越令人伤感，甚至化身机器少年，做着那个永无止境的回家之梦。在一个智能机器流行的年代，很多机器人介入了大众的生活，有一个可以产生感情的机器小孩被一名儿子患了绝症的家庭收养，后来儿子的绝症治好，小机器人被逼无奈被家庭抛弃，开始了流浪之旅。机器小孩对这个家庭产生了很深的感情，一旦被抛弃，无时无刻都在想着回家。后来他去追寻童话中的仙女，想要变成真正的孩子，在海底过了上万年，经历了又一个冰川期，地球人类全部灭绝，外星生物统治地球，它们将机器人解救出来，研究人类历史，并为他幻化出日思夜想的家庭温暖，让他在幻境中享受母爱的阳光。有爱的旋律贯穿整部电影，即使沧海桑田，真爱确实永存。虽然，那种爱是绝望的，也是毫无结果的，甚至是存在于孩子梦中的。

电影:人工智能里为什么人类最后全部灭绝了？

在人工智能从原始形态不断发展，并被证明非常有用的同时，我也在担忧创造一个可以等同或超越人类的事物所导致的结果：人工智能一旦脱离束缚，以不断加速的状态重新设计自身，人类由于受到漫长的生物进化的限制，无法与之竞争，将被取代。这将给我们的经济带来极大的破坏。未来，人工智能可以发展出自我意志，一个与我们冲突的意志。尽管我对人类一贯持有乐观的态度，但其他人认为，人类可以在相当长的时间里控制技术的发展，这样我们就能看到人工智能可以解决世界上大部分问题的潜力。但我并不确定。

如何评价人工智能？这部电影有哪些戳泪点的？

作为造物者的人类，创造了模仿人类动作与思维的智能机器人，然而，当人工智能自我觉醒，智能机器人具备了人类特有的感情与人性，那么，人类与机器人之间又有什么区别？在2001年斯皮尔伯格执导的电影《人工自能》中，试图通过机器人男孩与人类父母之间感情纠葛的故事，探讨这样一个关于人性本源的深刻话题。《人工智能》请到了当时的当红明星裘德·洛、海利·乔·奥斯蒙特出演，参演过《阿甘正传》、《第六感》的童星海利·乔·奥斯蒙饰演了本片的智能机器人大卫。在不远的未来，人类在人工智能领域取得了长足进步，作为科技公司创造的第一个具有感情的机器人，单纯可爱的大卫被公司员工亨利和妻子莫妮卡收养并进行测试。莫妮卡和亨利将对自己孩子的感情投入到大卫身上，大卫感受到了家的温暖，然而，当他意识到自己不过是用于测试的机器人，一个“变成真正人类”的念头浮现在大卫脑中。在同为机器人的玩伴泰迪熊、机器人舞男乔的帮助下，踏入未知的人类世界的大卫，感受到了人类与机器人之间脆弱的关系，经历了被被机器人猎人追杀等的恐怖与凶险，试图寻找真正的自我。泪点一：树林中的母子分别在《人工智能》中，亨利的妻子莫妮卡是影片的关键人物。起初，她对亨利带回来的智能机器人大卫心存芥蒂，但随着日积月累的接触，莫妮卡喜欢上了这个单纯、善良、可爱的机器人男孩，她将对亲生儿子马丁的爱，同样给了大卫。大卫在被马丁不断挑唆和暗算之后犯了一系列错误，养父亨利认为这个智能机器人失败了，想要抛弃掉他。养母莫妮卡将大卫带入树林，大卫意识到了自己的命运，拼命求着母亲莫妮卡，却毫无用处。通过这件事，大卫立志成为一个真正的人类，也头一次感受到了人类与机器人之间的鸿沟。泪点二：大卫和乔的真挚友谊大卫和泰迪熊进入到复杂而凶险的人类世界闯荡，认识了机器人舞男乔。起初，乔的观点很明确，人类造物主视机器人为工具，加入大卫的他就是不想再把自己当工具。然而，大卫乐观开朗的性格与坚持不懈的努力，让乔渐渐的改变了自己的观点。面对机器人猎手的疯狂追杀，大卫、乔和泰迪一路东躲西藏，在战斗中建立起了深厚的信任。然而，机器人猎手凶残反扑，乔为了保护大卫不得不放手，用自我牺牲换来了大卫的成功逃脱。泪点三：大卫与养母再次相见片尾，大卫和执着与勇敢终于获得了回报，他换来了人生的奇迹，再次见到了日思夜想的养母莫妮卡，然而，他们母子相处的时间只有短短的一天。见面后，大卫问莫妮卡：你会不会死？其实，经历了这么多的大卫，很清楚人类与智能机器人之间的区别，但就是止不住去问。他不想让妈妈在第二天死去。幸福的时光总是过得很快，第二天早晨，莫妮卡死在了床上了，睡在养母的枕边的大卫，再也不愿起来。

求电影《人工智能》的英文简介

AI - Artificial Intelligence" is the hardest kind of movie to review-but it's also the most enjoyable kind of movie to watch. It's been over three weeks since my screening of Steven Spielberg's emotionally harrowing epic about a robot boy. Before writing my review, I wanted to let its themes, content, and characters sink into my head and make a solid impact. The film was based on an idea by Stanley Kubrick, but when he died in 1999, Speilberg took charge of the project. I could spend pages discussing the techniques of Kubrick's intentions and Spielberg's decisions, but I will not. Stanley Kubrick and Steven Spielberg are two of the greatest directors American cinema has to offer; it's pure pleasure watching their ideas clash and flow. I am not going to examine each individual theme here, either. That would ruin the movie for you.

"AI - Artificial Intelligence" presents many themes on screen, but it's important to take what you get out of it. Whenever I read a review of Kubrick's "A Clockwork Orange" or "2001: A Space Odyssey" I feel influenced by the reviewer's interpretation of the movie's themes. Every time I watch either of those movies I get something new out of it. I hate it when other critics state the movie's themes on paper as if it's a fact. There is far too much room for interpretation to reveal this movie's message, or the message of any Kubrick film for that matter. Ask 100 people, and you might get 100 different answers. "AI - Artificial Intelligence" is that kind of movie-one of the year's best.

Critics and audiences alike have torn apart this movie's ending-a clear miscalculation by Spielberg. If Kubrick were in charge, the movie would have called it quits about twenty minutes earlier in an unsettling sequence that takes place in the ocean. But Speilberg, who always seems entranced by science fiction, injects an additional segment into the mix that does not work quite as well, but isn't so completely awful that it deserves such harsh criticism. It still leaves us with an open, startled emotional disorientation. I left the theater with tears in my eyes. The movie before the conclusion is so complex, moving, and involving in so many different ways the last twenty minutes didn't even come close to spoiling the movie for me.

"AI" transpires sometime in the near future after the polar ice caps have melted and flooded coastal cities and reduced natural resources. Mechanical androids have become popular since they require no commodities. Reproduction has also become highly illegal. Machines provide sexual services and if anyone wants a child, they will purchase a robot. However, the difference between a robot child and a living child is that robots cannot love. That's the task professor Hobby (William Hurt) of Cybertronics Manufacturing has solved. He has made a robot child that can love.

We can separate "AI" into two separate segments. I do not want to reveal too much about each plot because the pleasure of watching this movie evolves from the revealing of the connecting plots. I will, however, briefly say the first details a robot child's interaction within a family, and the second deals with the robot's estrangement from its family and the quest to regain the mother's love.

I can imagine the material in Kubrick's hands. The movie's opening scene has a female robot begin to undress in a public office. Speilberg cuts the action before she reveals any explicit nudity. Kubrick would have had various shots of full frontal nudity. Spielberg, never comfortable with sexual material, leaves out much of the motivation behind Kubrick's ideas. One of the biggest problems in "AI" is the lack of edge with the sexual content. Jude Law plays a robot gigolo who lives in a sex fantasy called Rouge City where people from everywhere come to seek sexual satisfaction. The central character, a robot boy played by Haley Joel Osment, motivates every action in the story except for the scenes in Rouge City. Why contain such a perverse character and setting when his entire existence simply displays a mood that has already been well established. Obvious, the filmmakers toned the aspects of "AI" down to warrant a gutless PG-13 rating-but why? The movie isn't appropriate for children anyway, and it's far too complex. Undoubtedly if Kubrick were in charge "AI" would have to be re-cut to avoid an NC-17 rating. Spielberg should have either taken advantage of the perverse material or completely eliminated it.

Here I am, doing exactly what I said that I wouldn't do, and at nearly 900 words, I still have not clearly expressed my own opinions on the film. I have many notes in front of my that display my reaction as I watched the film, but I am not going to use them-they reveal too much about the movie. "AI" is a very personal film, a deeply moving, scientific, careful, and harrowing motion picture that displays startling talent on screen and behind the scenes. The special effects are extraordinary. The performances are alarming-the immensely talented Haley Joel Osment may once again be up for an Academy Award nomination. Go see the movie, then talk about it with others. It's the kind of film that you can spend hours thinking about, then go see it again.

人工智能小孩谁演的

电影《人工智能》的主演为裘德·洛、海利·乔·奥斯蒙特。裘德·洛1972年12月29日出生于英国伦敦，英国演员、制片人、导演。1990年裘德·洛在电视剧《家庭》里出演角色。1994年，出演首部电影《Shopping》 。1999年，裘德·洛出演了安东尼·明格拉执导的电影《天才雷普利》，获得了第72届奥斯卡奖最佳男配角提名 。2001年，他主演了战争片《兵临城下》以及史蒂文·斯皮尔伯格执导的科幻电影《人工智能》。2004年，他凭借电影《冷山》获得第76届奥斯卡金像奖最佳男主角提名；同年担任第76届奥斯卡奖颁奖典礼的颁奖嘉宾 。2009年，出演电影《大侦探福尔摩斯》，饰演华生医生。2011年，担任第64届戛纳电影节评委。2013年，主演由美国导演韦斯·安德森导演的喜剧电影《布达佩斯大饭店》 。海利·乔·奥斯蒙特（Haley Joel Osment），1988年4月10日出生在美国加利福尼亚州洛杉矶，美国童星演员。海利四岁为必胜客拍摄广告，使他第一次登上银幕。 1994年参演第一部电影《阿甘正传》，并凭借此电影获得青年明星奖和青年艺术家奖，而为人所熟知。1999年凭借主演电影《第六感》获得一项金球奖和奥斯卡金像奖的提名以及MTV电影奖、土星奖等其他十一项奖项。 2002年在《人工智能》中主演智能机器人，再次获得土星奖以及其他四项奖项提名。2007年，他进入纽约大学选修艺术表演类，于2010年毕业，并重返演艺圈，投入演艺事业。《人工智能》是由华纳兄弟影片公司于2001年拍摄发行的一部未来派的科幻类电影。由史蒂文·斯皮尔伯格执导，裘德·洛、海利·乔·奥斯蒙特主演。影片讲述21世纪中期，地球上很多城市都被淹没在了一片汪洋之中，人类的科学技术已经达到了相当高的水平，人工智能机器人出现后的故事。