muddy waters

Muddy Waters的《Flood》 歌词

歌曲名:Flood歌手:Muddy Waters专辑:The Chess BoxRain, rain on my faceIt hasn't stopped raining for daysMy world is a floodSlowly I become one with the mudBut if I can't swim after forty daysand my mind is crushed by the thrashing wavesLift me up so high that I cannot fallLift me upLift me up - when I'm fallingLift me up - I'm weak and I'm dyingLift me up - I need you to hold meLift me up - Keep me from drowning againDownpour on my soulSplashing in the ocean, I'm losing controlDark sky all aroundI can't feel my feet touching the groundBut if I can't swim after forty daysand my mind is crushed by the thrashing wavesLift me up so high that I cannot fallLift me upLift me up - when I'm fallingLift me up - I'm weak and I'm dyingLift me up - I need you to hold meLift me up - Keep me from drowning againCalm the storms that drench my eyesDry the streams still flowingCasting down all the waves of sinAnd guilt that overthrow meBut if I can't swim after forty daysand my mind is crushed by the thrashing wavesLift me up so high that I cannot fallLift me upLift me up - when I'm fallingLift me up - I'm weak and I'm dyingLift me up - I need you to hold meLift me up - Keep me from drowning againLift me up - when I'm fallingLift me up - I'm weak and I'm dyingLift me up - I need you to hold meLift me up - Keep me from drowning againhttp://music.baidu.com/song/8522529

Muddy Waters的Mannish Boy的歌词

这个你看看吧


Ooooooh, yeah, ooh, yeah

Everythin', everythin', everythin's gonna be alright this mornin'
Ooh yeah, whoaw
Now when I was a young boy, at the age of five
My mother said I was, gonna be the greatest man alive
But now I'm a man, way past 21
Want you to believe me baby,
I had lot's of fun
I'm a man
I spell mmm, aaa child, nnn
That represents man
No B, O child, Y
That mean mannish boy
I'm a man
I'm a full grown man
I'm a man
I'm a natural born lovers man
I'm a man
I'm a rollin' stone
I'm a man
I'm a hoochie coochie man

Sittin' on the outside, just me and my mate
You know I'm made to move you honey,
come up two hours late
Wasn't that a man
I spell mmm, aaa child, nnn
That represents man
No B, O child, Y
That mean mannish boy
I'm a man
I'm a full grown man
Man
I'm a natural born lovers man
Man
I'm a rollin' stone
Man-child
I'm a hoochie coochie man
The line I shoot will never miss
When I make love to a woman,
she can't resist
I think I go down,
to old Kansas Stew
I'm gonna bring back my second cousin,
that little Johnny Cocheroo
All you little girls,
sittin'out at that line
I can make love to you woman,
in five minutes time
Ain't that a man
I spell mmm, aaa child, nnn
That represents man
No B, O child, Y
That mean mannish boy
Man
I'm a full grown man
Man
I'm a natural born lovers man
Man
I'm a rollin' stone
I'm a man-child
I'm a hoochie coochie man
well, well, well, well
hurry, hurry, hurry, hurry
Don't hurt me, don't hurt me child
don't hurt me, don't hurt, don't hurt me child
well, well, well, well

Yeah

Muddy Waters 歌词

歌曲名:Muddy Waters歌手:Mustasch专辑:Above AllYoshii Lovinson- Muddy Water作词：YOSHII LOVINSON作曲：YOSHII LOVINSON编曲：YOSHII LOVINSONHEY, HI无駄で安っぽいHUNGRYで今日はHEAT UPしてFLASHしてHONEY胸のあいてるDRESSみたいに相当HEAVYなSATURDAY NIGHTJUST LIKEI DON'T WANNA BE THE FALLENI DON'T WANNA BE THAT BABYI DON'T WANNA BE THE FALLENI DON'T WANNA BE THAT BABYHEAVENでいいんですかい？では半分こにしようここにもっと付いてる付いてるちょびっとずつ取れ何もしたくないのにその目はHOW DO YOU FEEL?I LOVE YOU　凄いね、、、君は眠れんぞI DON'T WANNA SEE THAT FALLINGI DON'T WANNA BE THAT BABYI DON'T WANNA TEARS FALLENI DON'T WANNA BE THAT BABYI KNOW YOU WANNA BE MY BABYI KNOW YOU WANNA BE MY BABY阳が升り暮れHIGHLIGHT　TWILIGHTどっかで信じてREVOLUTION　GAS欠でHIGH-SPEEDのKISS MEに限界を知ったEVERYDAY　EVERY NIGHT失败オレの目はなんだこれチャウチャウ犬？时间が一瞬もねえどれがオレの墓场？I DON'T WANNA BE THE FALLENI DON'T WANNA BE THAT BABYI DON'T WANNA BE THE FALLENI DON'T WANNA BE THAT BABY雨上がりはBABYMUDDY WATERに映してみて阳が升り暮れHIGHLIGHT　TWILIGHTふんわり信じてGOOD-BYE TO SOMETHING!!おわりhttp://music.baidu.com/song/2704439

求美剧犯罪心理里面的各种插曲什么的，名字也行，谢谢！

Penitentiary Citizen Cope At beginning of episode.Rock Music The Pixies 。以下是《犯罪心理》的相关介绍：《犯罪心理》（Criminal minds）是CBS出品的犯罪剧情电视剧，由费利克斯·恩里克斯·阿卡拉和格伦克肖执导，由托马斯·吉布森、乔·曼特纳、谢玛·摩尔、马修·格雷·古柏勒、A.J.库克、帕姬·布鲁斯特、克里斯汀·范奈丝、曼迪·帕廷金、詹妮弗·洛芙·休伊特等人主演。《犯罪心理》讲述了美国联邦调查局总部下属的行为分析科部门（简称“BAU”）中，行为分析师们剖析最棘手的案件，分析凶手的心理和作案特征，并在他们再次施暴前预测出他们的下一步行动，协助当地警察捉拿凶手。以上资料参考百度百科——《犯罪心理》

外语来帮忙~~~

What was Punk?

People will give you so much bullshit about punk being a working class thing, a copy of American punk, fashion, etc etc yawn !! For me punk at its best, was a spontaneous, infectious outburst of aggression and alienation set to music and cool clothes that swept aside politics, feelings, commercialism, gender and political correctness. To a messed up young kid like me it was a key to a new world. In this world anything was possible and that's why punk threw up such a wide variety of music.
At its peak it subsumed all these differing elements being truly revolutionary before they began to gnaw at punk and pulled it apart. Don't get me wrong, I'm not trying to say this was a perfect state of grace. There was also a lot of shit and bandwagon jumping going on. As time went on punk became hijacked by various elements. First was commercialism: Every major record label had its own punk bands. Shocking became the norm as papers like the Daily Mail ran features like 'How to turn Yourself into A Punk!!' and began to be incorporated into mainstream culture along with fashion and ideas. Bands had to do more to shock.
Punk went from an attitude to a way of life. Anarchy and chaos became an actual political philosophy along with the classless society, communes and vegetarianism propounded by groups like Crass and Conflict. For them life was a constant political struggle against the repression of women, animals, religion, politics and anything else you could put to music. Other groups wanted to prove themselves harder and faster like GBH and Discharge as punk teetered on the verge of heavy metal. Other groups wanted to get notoriety like The Anti Nowhere League.
From the moment punk had entered mainstream consciousness bands and fans turned in on themselves and argued among each other as to who was more punk - fashion to anti fashion. Each successive wave of punk wanted to be seen to be more 'punk' than the previous one. Up rose the banner 'punks not dead' and 'Oi' arrived; a punk/skinhead hybrid music that seems to have been a deliberate invention of music writers like Gary Bushell who wanted to hijack punk as a great working class movement. As opposed to Crass these contained groups who were right wing like Skrewdriver or Combat 84 or 'Oi' bands who were more concerned with violence. I'm not saying all bands were like this but there was an uneasy nationalistic bent to a lot of the music and image.



Rhythm and Blues was and still is a term used for a number of post-war American popular music forms. The term is credited to Jerry Wexler when he was editing the charts in Billboard magazine (1947). The term was used in the chart listings from 1949 onwards and the charts in question encompassed a number of contemporary forms that emerged around that time.

R&B clearly has its origins in the secular folk music of the American black musician - the Blues. For me, the Blues is essentially about emotional expression and is predominantly a vocal medium - although there are many examples of blues instrumentals to refute this assertion, it is the singer who expresses the feelings of the blues; and there are a number of vocal techniques which are used to create the desired effects. There are of course a range of blues intrumentations which accompany the central vocal performance (the bending of guitar strings, the classic bottleneck of so many of the great blues guitarists, the harmonica imitating the idioms of the human voice etc. etc.) and which clearly help to create the unique blues performance.

Although much has been written on the blues, the origins of the music are not particularly well documented. It is clearly influenced by the work songs of the deep South, ragtime, church music, minstrel shows and folk, even some forms of white popular music. The earliest and most frequently cited references to the form are to be found in the early 1900s and one of the early musical reference points is the W.C. Handy composition 'Memphis Blues'.
Rural blues developed mainly in the three key regions of Georgia, Texas and Mississippi. Excellent examples of the Georgia style include Blind Willie McTell and Blind Boy Fuller, highly melodic and less intense than the Mississippi stylists such as Charley Patton, Robert Johnson and Johnny Shines.

Interestingly however, perhaps the first real blues recordings were made in the 1920s by the women of the blues, artists such as Ma Rainey, Ida Cox and the wonderful Bessie Smith. At this stage the performances were still largely based on their stage backgrounds, backed by the leading jazz players of the day.

Muddy Waters
One of the critical external factors which moved the blues form forward was the economic migration from the American South to the cities of the North by millions of black southern workers. The blues went with them, adapting to a more sophisticated urban environment. The themes of blues songs understandably became more urban, the solo bluesman was joined by a number of other musicians and the blues combo was born. The piano, harmonica, bass and drums and, most importantly of all, the electric guitar became the cornerstone of a sound of increasing rhythmic intensity.

Some of the major urban conurbations included Atlanta, Memphis and St. Louis but there are critical milestones to be found in any number of places. John Lee Hooker found a home in Detroit, the great T-Bone Walker established a following on the West Coast and Chicago exerted an influence of real significance - Sonny Boy Williamson, Muddy Waters, Little Walter, Howlin' Wolf, Elmore James and Otis Spann were all based there.

The Blues has influenced just about everything musically which subsequently developed. Not least of which was the emergence of what came to be known as Rhythm and Blues

动漫衍生产品英文文献

（1）Afarfromordinaryschoolstorystartshere!ThisisastoryofSuzumiyaHaruhi,whouponenrollmentatschoolannounced,"Ihavenointerestinordinaryhumans.Ifthereareanyaliens,beingsfromthefuture,sliders，orsuper-humans,comeseeme.Thatisall!"Naturally,anynormalpersonwouldthink"Whatthe?!"butHaruhiisdeadserious.Thingsgetcrazywheneveryonerealizesjusthowserioussheisaboutitallandestablishesthe"SOSDan".SuzumiyaHaruhiisagood-lookinghighschoolgirlwhohasaclearhead,naughtypersonalityandveryegocentricthought.Shehasanunimaginablytremendouspowertochangetheworld,butsheistotallyunawareofherownpowerandsosheisalsounawareoftheeffectofherpowerontheoutsideworld.Adelightfullystrange,yetmarvelouslyinterestingstory!一个远离普通学校的故事在这里开始！这是一个关于凉宫春日的故事，她在学校入学时宣布，"我对普通人没有兴趣，如果你们之中有宇宙人，未来人，异世界人，超能力者，尽管来找我吧，以上！"当然，任何正常的人都会认为"什么?!"但春日已“死”得严重。当大家意识到她的一切事件如同疯了的严重时，她成立了"SOS团"。她有一种无法想象的巨大的力量来改变这个世界，但她完全不知道她自己的能力，所以她也是不知道她的能力对外部世界的的影响。这是一个欣喜得奇怪，但神奇有趣的故事！（2）"TheMelancholyofSuzumiyaHaruhiis"astoryaboutahigh-schoolfreshman,SuzumiyaHaruhi,andthosewhoarecaughtupinherantics.Onthefirstdayofschool,sheintroducedherselfinabizarreway."FromEastMiddleSchool,SuzumiyaHaruhi.Ihavenointerestinordinaryhumans.Ifthereareanyaliens,timetravelers,sliders,orespershere..comejoinme.Thatisall!"Herclassmateswonderedwhethershewasseriousorjustkiddingaround.Kyon,afellowfreshmanwhositsinfrontofHaruhi,wasinterestedinherbecauseofherstrangeintroduction.Littlebylittle,hetriedtotalktoher,butHaruhi'sanswerswouldalwaysbe"Shutup!""Moron!""Bequiet!""Whocaresaboutthat!?".However,asthedayswentby,KyonbecomesthefirstevertotalknormallywithHaruhiandeventuallyinspiredhertoformtheSOSBrigadewhichsolepurposeistofindaliens,sliders,timetravelersandespers,andhavefunwiththem.《凉宫春日的忧郁》是一个故事关于一所高中一年级的学生凉宫春日和那些被她发现的“奇人”。上高中的第一天，她还一个奇特的方式介绍了自己。"毕业于东国中，我的名字是凉宫春日，我对普通人没有兴趣，如果你们之中有宇宙人，未来人，异世界人，超能力者，尽管来找我吧，以上！"她的同学不知道她的严重或只是开玩笑。阿虚，坐在前面春日的一大“研究员”，有兴趣她，因为她的奇怪介绍对她有兴趣。一点点，他试图对她说话，但春日的答案永远是"闭嘴"！"废柴！"！"肃静"！"谁会关心！？"。然而，随着时间一天天过去，阿虚成为有史以来第一次经常与春日谈话的人，并最终激发了她成立"SOS团"，其中的唯一目的就是要找到宇宙人，未来人，异世界人，超能力者，并和它们一起玩。anime=Japaneseanimation多指日本动漫animemusicvideo=AMV复数AMVsanimeseasons季cartoon卡通,一般指欧美动画片chibiQ版人物comic漫画,不包括日本漫画,属此类的一般有向美国MARVEL的超人,蝙蝠侠之类cosplay=costumeplay角色扮演,衍生cos(动词),cosplayer(玩cosplay者)doujinshi同人志ED=ending片尾曲fansubs字幕组J-pop=JapanesePop受到西方影响的日本流行音乐=Japanesepopularmusiclolicon萝莉控manga=Japanesecomic日本漫画mangaka漫画家,多指日本漫画家mecha机械(动漫/漫画类型)one-shots=shortstory只有一章的漫画短篇OP=opening片头曲OST=originalsoundtrack动漫原声集otaku=fanatic御宅族,指对动漫,游戏等有狂热者OVA=originalvideoanimation原创动画录影带OAV=originalanimevideo同上raw未经修改的原版,如直接录制的节目和直接扫描的漫画等等terminology术语,如漫画家自行想象出来的一些武器等WhiteDay白色情人节romanji日文的罗马发音(方便外国人的)scanlation在网络上免费发布的翻译后的漫画,作用与fansub相似不明白你说的句子的什么意思,就按我的理解了CodeGeass(反叛的鲁路修)Theworldwon'tchangeinprettywordsalone.-Charles(鲁路修他爸)IwasdeaduntilthemomentImetyou.Iwaspowerlesscorpsepretendingtobealive.Livin'withoutpower,withouttheabilitytochangemycourse,wasakintoaslowdeath.-LelouchLamperouge(鲁路修)-------BlackCat(黑猫)I'vecometodeliversomebadluck!-TrainHeartnet(托雷)-------Evangelion(EVA)You'rethinkinginJapanese!Ifyoumustthink,doitinGerman!-AsukaLangleySoryu(明日香)Survivabilitytakespriority.-MisatoKatsurag(葛城美里)Manfearsthedarkness,andsohescrapesawayattheedgesofitwithfire.-ReiAyanami(绫波丽)-------Bleach(死神)Becauseweareamorphous.Weholdtheminreverence-Volume1(第一册)Peopleareabletoholduntohope,sincedeathisthatwhichcannotbeseen.-Volume2(同上)IfIweretherain,couldIconnectwithsomeone'sheart,astheraincouldconnecttheenternallyseperatedearthandsky.-Volume3Wecometogetherlikedropsofwater,likeastralbodies.Weopposeeachotherlikemagnets,likethecolorsofskin.-Volume4UnlessIgriptheswordIcannotprotectyou,whilegrippingtheswordIcannotembraceyou.-Volume5Yes,wehavenodestiny.Onlythoseswallowedupbyignoranceandfear,whotakefalsestepsshallplungeusintothemuddywaterscalleddestiny.-Volume6-------DeathNoteAheartwarmingscenefromthemostunfortunatefamilyintheworld-Ryuk(流克)Youmaycallmewhateveryouwish-butI'mtakingyourcake.-LSittingnormallyreducesmypowersofdeductionby40%.-LLight:"Thenonedaypeoplewillrealizethat'doingthiswillgetmekilled',andIwillbuildaworldofthekind-heartedpeopleonlyIcanaccept."Ryuk:"Thenyou'llbetheonlybastardleft."Light:"Whatareyoutalkingabout,Ryuk?YoucouldsayI'mJapan'snumberonehonourstudent."-Light(月)andRyuk-------FullMetalAlchemist(钢之炼金术师)Iamgoingtogetstronger,bothemotionallyandatfighting!anddrinkasmuchmilkasIcan-Ed(爱德华)-------XXXholicSincerityanddeterminationNomatterwhatapersonwantstoattempt,thoseareneeded.-YuukoIchihara(壹原侑子)AnimeisanimationinJapanandconsideredJapaneseanimationintherestoftheworld.Animedatesfromabout1917.AnimeinJapanispopularamongasmallcommunityandisnowviewedthroughouttheworld.Animeitselfisconsideredaformoflimitedanimation.Animecanbebroadcasteitherthroughtelevisionorreleaseddirectlytovideo,whichareoftencalledOVAsorOAV(OriginalAnimationVideo).Animecanbehanddrawnorcomputer-assisted.Itisusedintelevisionseries,films,video,videogames,commercials,andinternet-basedreleases,andrepresentsallgenresoffiction.

“节奏布鲁斯”(R&B) 和蓝调的区别和关系?

节奏布鲁斯，即为节奏蓝调。一、节奏蓝调和蓝调的关系蓝调是一个大范畴，是一个统称，节奏蓝调是蓝调范畴中的一部分。节奏蓝调是一种首先非裔美国人艺术家所演奏，并融合了爵士乐、福音音乐和布鲁斯音乐的音乐形式。二、节奏蓝调和蓝调的区别1、起始时间不同节奏蓝调：节奏蓝调的起始时间是十九世纪末。蓝调：蓝调的起始时间是1940年代末。2、音乐形式不同节奏蓝调：节奏蓝调是一种融合了爵士乐、福音音乐和电子布鲁斯音乐的音乐形式。蓝调：蓝调是一种基于五声音阶的声乐和乐器音乐。3、特点不同节奏蓝调：节奏蓝调的声音更加刺耳，节奏更快，乐器的演奏也不一样钢琴的弹奏力度更大，萨克斯的声音更加长而尖锐。蓝调：蓝调的音乐很着重自我情感的宣泄和原创性或即兴性。参考资料来源：百度百科-蓝调 百度百科-节奏蓝调

什么是R&B风格?

R&B的全名是Rhythm&Blues，一般译作"节奏怨曲"。广义上，R&B可视为“黑人的流行音乐”，它源於黑人的Blues音乐，是现今西行流行来和摇滚来的基础，Billboard杂志曾介定R&B为所有黑人音乐，除了Jazz和Blues之外，都可列作R&B，可见R&B的范围是多么的广泛。近年黑人音乐圈大为盛行的HipHop和Rap都源於R&B，并且同时保存着不少R&B成分。

节奏布鲁斯(R&B)的诞生可以追溯到40年代中期，早期的R&B被被称为跳跃布鲁斯(Jumpblues)。

JumpBlues吸收了爵士乐的吹奏乐器(Horn-drivenlineup)演奏和摇摆乐(Swing)的节奏，也结合了蓝调音乐(Blues)基本重叠唱法(Riff)和弦乐演奏，成为了一种,崭新的音乐形式。也可以说JumpBlues是节奏爵士(RhythmJazz)和布鲁斯(Blues)的结合品。

虽然JumpBlues很大一部份是吸收Blues的特点，但是最后奠定其基本结构使其形成一种崭新的音乐风格却是节奏爵士。但Jumpblues节奏更快，演唱更粗哑，而且其乐器的使用也区别于爵士和蓝调：钢琴演奏节奏强烈，最重要的SAX的演奏也更尖锐。早期的JumpBlues是还是属于黑人音乐：它的演唱者和听众都是黑人。

在JumpBlues中演唱者被称“Shouter“，很多著名的JumpBluesShouter都是来自大乐队(Big-Band)，如BigJoeTurner，他是来自KansasCityjazzbands的。当时还有一些著名的Shouter，如WynonieHarris,RoyBrown,RoyMilton和NappyBrown等。

LouisJordan在JumpBlues的历史上有着很重要的影响,他经常演奏一些歌词诙谐的歌曲,由于这些歌曲特别适宜用来作舞曲,所以越来越多的白人青少年喜爱上了这种音乐．其它如ChuckBerry,JoeLiggins,TinyBradshaw,AmosMilburn,CamilleHoward等黑人音乐家也为都是当时有名的JumpBlues音乐家．

在50年代,由于那些杰出音乐家们的努力,JumpBlues终于冲破了种族界限,成为了为大众接受的新型音乐风格,也正是在50年代JumpBlues易名为“节奏布鲁斯(R&B)”，登上了Billboard榜.

蓝调和灵魂乐好像，有什么区别？

蓝调和灵魂乐演奏形式不同。蓝调使用类似中国民俗唱山歌的“一呼一应”的形式进行，英文叫作“Call and Response"。起源于过去美国黑人奴隶的灵魂乐、赞美歌、劳动歌曲、叫喊和圣歌。乐句起初会给人们一种紧张、哭诉、无助的感觉，然后接着的乐句便像是在安慰、舒解受苦的人。灵魂乐使用独唱与伴唱之间的交流对唱的形式进行，紧扣节奏、拍掌、即兴形体动作，是其重要特征。灵魂乐特别紧绷的发声，也是其主要特色。扩展资料：蓝调精神指自由，无约束的精神层次，蓝调精神只用来概括这样一群人——为了享受精神的富足而在孜孜不倦地追求物质财富，是形式上的精神主义者，但同时也是现实中的物质主义者。他们追求流行时尚中最精华的部分，并将其引进生活。他们是一群追求潮流而后又引导潮流的人。灵魂乐是南方福音和中西部的节奏蓝调的融合，礼拜乐的复兴被带入节奏蓝调的 Boogie-Woogie 世界之中。灵魂音乐的特点是坚实的节奏部分配以明确的世俗动感及宗教音乐。几乎所有灵魂音乐都以热情、高扬的嗓音作为标志，偶尔也加一些即兴表现。参考资料：百度百科——蓝调百度百科——灵魂乐

蓝调和爵士有什么区别？？

蓝调和爵士的区别有以下发点：1、节奏和律动的不同：蓝调的代表节奏名称叫Shuffle Beat(三连音为基础），律动的起伏感极强，如同骑马，有一种让人弹跳起来的感觉。爵士乐代表节奏是4Beat Swing，特点是摇摆，可以让人悠悠然然摇晃起来的感受。2、音乐中的主角不同：蓝调音乐以歌唱为主角，乐器的部分为歌唱而服务，乐器的独奏部分，也模仿在模仿人说话的感觉。爵士乐以乐器演奏为主，主奏的器乐就是主角。用一种比较容易记的住说法就是：蓝调音乐是先有的歌后有曲、而爵士乐是先有曲，后有的歌（新奥尔良爵士是不唱歌的，纯乐曲演奏）3、形成初期演奏者的主体不同：蓝调音乐很长很长一段时间，都是黑人演奏给黑人听众的音乐，发展初期极少有白人参与演奏。而爵士乐从形成初期，就由黑人白人共同携手演奏，直到种族隔离的顶峰时期之前，是黑人和白人一起为爵士乐的发展打下了基础。4、传承的不同：爵士乐的庞大体系中，某种新的风格出现后，会有意推翻之前的积累，创新性非常明显。而蓝调音乐的发展，一直在体系的积累中不断创新，百年的传承可以连成一条线。5、演奏所用的乐器不同:蓝调音乐主要使用乐器，吉他、口琴、钢琴、鼓、贝斯、风琴、班卓琴、曼陀铃、小提琴、萨克斯、小号、长号、非洲笛等，主要以弹拨乐器为核心，管乐为节奏辅助。爵士乐主要使用乐器：短号（小号/喇叭）、钢琴、单簧管、长号、萨克斯、圆号、低音Double Bass、班卓琴、小提琴、吉他、马林巴、长笛等等。主要以铜管和木管乐器为主，各种乐器都能称为主角6、和声音节的不同：蓝调音乐基本运用传统非洲五声音阶、布鲁斯音节为主，主要凸显的律动和情感的变化，更接近人性的本质。爵士乐则应多用自然音节，和各种调式音节，来丰富演奏的旋律性的构建。扩展资料：蓝调与爵士共同点：1、形成时间与影响力：蓝调和爵士都从19世纪开始末完成初期积累。时间和发展上，蓝调在先，爵士在后。而两者对之后所诞生音乐风格，如：Rock n Roll(摇滚乐）、灵魂乐、放克音乐、Hip Hop等影响，都有着相应不可磨灭的功绩。所以在整个现代音乐体系中，爵士和蓝调这对兄弟，都是根基一样的存在。2、共同基因：蓝调与爵士乐的“母体”同出一处。两者的共同基因中，都受到了传统黑人圣歌、福音音乐Gospel、拉格泰姆、以及劳动歌曲很深的影响。3、表现特点：蓝调与爵士乐中的灵魂点——Call and Response(呼唤与应答)、以及来源东非Bluenote音节的应用因素，相对自由即兴式的情感表达，都深植两者基因之中。参考资料：百度百科-蓝调参考资料：百度百科-爵士乐

什么叫做蓝调

爵士 (Jazz) , 蓝调 (blues)对於一般人来说,似乎是那麼难分出其不同以致於版上三不五时就有人会问 Jazz 和 Blues 怎麼分这类的问题.
为何一般人会陷入混淆呢?因为这两者在美国音乐史上是互相影响并融合的而且一般人对於 Jazz 和 Blues 的定义都不够清楚.再加上大部分的音乐都是融合了两种以上的音乐类型,以致於对於不熟悉者真是难以分辨.
如何分辨Jazz 与 Blues 呢? 首先我们必须认知到 : Jazz 和 Blues 的音乐定义域是不同的. 以汽车做比喻,就像手排/自排 与 四轮驱动/前轮驱动 是以不同的定义域来分赖的所以一部车可以同时是自排/四轮驱动,也可以是自排/两轮驱动,也可以是手排/两轮驱动照样: 一个音乐他可以是爵士而不是蓝调 也可以是蓝调而不是爵士 也可以是蓝调也是爵士 更可以不是蓝调也不是爵士
接下来为大家简介爵士的认定: A.广义的爵士乐: 最广义的爵士乐认定,简单两个字 : ' 自由 ' 一个音乐以很自由的方式展现出来,就是爵士如果有听流行音乐的人,一般歌曲中间偶尔会有一两段Sax solo 基本上那就是很爵士的表现了. 广义的爵士,基本上可以包括的范围很广泛即使是帕格尼尼的小提琴演奏,只要演奏家能很自由的展现出任何东西 (任何东西就是任何东西啦,可以是调性的自由运用,音乐要表达的内涵 或是演奏家自己要表现出的内涵...只要有东西被表现) 就可以是 Jazz.重金属乐团吉他手来段精彩的吉他solo,也是具有jazz 渐遢?当然乐曲里有一两段爵士的表现不见得就可以叫做爵士乐. 广义来说,爵士乐的定义是没有特别的限制的. 所以当一首蓝调音乐以很爵士的手法呈现时,就成为所谓的蓝调爵士
在广义的认定下,大概只有1.按谱演奏,100% 正确 2.节奏固定,旋律重复无变化这样的音乐不是爵士了不过大部分的古典乐属 1 大部分的流行乐属 2
B.广义的蓝调: 蓝调的认定和爵士的有很大的不同爵士的广义认定可以说是很自由心证的但是即使是广义的蓝调,都是很技术性的认定
什麼是蓝调呢? 简单来说,当一首歌以 1111-4411-5411 这种所谓的12 小节蓝调进行作曲,并以蓝调音阶或五声音阶中的音符做旋律,就可称做蓝调当然除了12 小节进行,还另外有8,16 小节的蓝调进行,同样,也有很多人会使用蓝调音阶外的音做代理. 看不懂的也没关系,只要记得所谓的蓝调,必须有固定的作曲模式,而且能使用的音也只限於几个音符合这两个条件的,就可称做蓝调
所以广义的蓝调认定一句话:以蓝调音阶内的音依照蓝调进行做的曲子:p (我觉得这句话讲了跟没讲一样.ccc)
C.狭义的爵士: 狭义的爵士定义,很简单只要你能被归类入任何一种爵士乐派,你就符合爵士乐的狭义定义了当然自创一派不是不可以,但是前提是别人要接受你就像连 Fusion 有些人都不把他当爵士呢:p 至於爵士乐派有哪些,请参阅精华区
D.狭义的蓝调: 狭义的蓝调,跟狭义的爵士一样简单只要你能被归类到任何一种蓝调乐派中,你就是狭义的蓝调了 蓝调乐派有哪些呢?
1. Delta Blues : 密西西比三角洲蓝调 所谓的街头蓝调,这时期的蓝调以空心吉他和口琴为主要乐器 以国内来看,有点像是地下道的老太婆手上拿著胡琴谈著凄凉的曲调 国外就是一个老黑人拿著吉他坐在路边:p
Delta Blues 的大师如 Robert Johnson,对於后来的蓝调发展的影响力 是非常大的
2.Texas Blues : 德州蓝调 德州蓝调又分两派,一派为country blues,另一派则比较rock 一点 country blues 等会在介绍 一般所谓的德州蓝调就是很摇滚的蓝调,如Eric Captain,Bonnie Raitt T-Bone Walker 等等..
很多早期的Rock Music 都是 Blues
3.Chicago Blues : 芝加哥蓝调,与Delta Blues 的草根味,Texas Blues 的火爆味比起来 Chicago Blues 是属於舞台上的 Blues 与其他蓝调乐派比较起来,Chicago Blues 显得多样化了点 当然这跟芝加哥的音乐非常兴盛有关 这样想想就知道分别了elta Blues 是一个哀伤的老人在路边拿把吉他 想到什麼辛酸就唱什麼 Texas Blues 是个小伙子在舞台上大吼大叫,释放 青春期的叛逆 Chicago Blues 则是一个艺人做好一首曲子,然后 做作广告,宣传,或者到 pub 表演 其实是跟new orlean jazz 很像的立场
Chicago Blues 的大师如 B.B.King 号称蓝调之王,够强吧
4.Country Blues: 乡村蓝调 音乐结合乡村音乐的节奏+蓝调音乐的进行=乡村蓝调 与一般的蓝调的悲苦比较起来,Country Blues 是相当轻快明朗的 Country Blues 的大师有 Lightning Hopkins 此外还有个团体叫Cephas and Wigins ,我也非常的喜欢他们
5.Rythm Blues: R&B 节奏蓝调 有听过猫王吗? 早期的 Rock'nRoll 跟 R&B 的不同在於,前者是白人唱的,后者是黑人唱的 所谓的节奏蓝调就是蓝调音乐和流行音乐的节奏结合的成果 11335565 <- 看的懂的就知道我在说啥了,This is R&B 看不懂的去听听猫王,Lucky Peterson,All 4 one,BoyIIMan 吧
6.Jazz Blues: 简单来说就是以爵士的方式演奏Blues 其实几乎有一半左右的爵士经典曲目是蓝调,由此就可以知道蓝调对爵士的 重要性了.特别是早期的爵士,几乎都是以蓝调为主,直到Bebop 后才稍有改变 当然一般人不会把他算到蓝调乐派啦,不过这里是爵士版咩 Any way,Lousis Armstrong 可以唱蓝调,也可以不唱蓝调 B.B.King 可以弹爵士,也可以不弹爵士
蓝调是爵士的根,爵士却在另一个天地大放异彩